I'm
proud to endorse all of the following gear:
Cort
makes fine instruments. They don't skimp on materials. The guitar I use, the
Hiram Bullock model, has a curly mapleneck,
light swamp ash body, along with superior hardware. Of course, Duncan pickups,
Wilkinson nut and whammy and Spurzel tuners. Slight modification was added which
was an Alembic pre-amp for added punch.
Bag
End Loudspeakers
- S12 M Cabinets, E Series 12" Speakers and Red Rock 12" Speakers,
Studio Application-Modified S12 B Cabinets with Vintage L-Tech Lansing Drivers.
Rocktron
is a very interesting company, always researching and experimenting. I own
a Patchmate, Juice Extractor and Intellifex processor.
Intellifex is the ultimate vegomatic processor. The delays/verb and octo-chorus
are stunning. I first heard this box at NAMM which was being used by Alan
Hollsworth. I was floored! I use two of them. These effects are featured on
my latest CD.
D'ADDARIO
For Nylon Acoustic Guitar Pro Art Classical
Guitar EJ 46 Hard
Tension. Great for Jazz.
ForJazzApplications Chrome
ECG26 Medium Gage. Flat wound, warm, woody natural acoustic tone.
Rock Fusion and Jazz Application
EXL 110 Regular Light Gage. Warm
rich harmonics ALA violin.
Rock & Roll Application
EXL 120 Super Light Gage. Great
tone for bends and tricks.
Seymour
Duncan Pickups
I use hand
wound Special 59's Bridge and Neck
SSL1Standard
Strat style
pickup.
Seth
Lover Model-SH55
From the archives, out
of production but not forgotten. The Duncan convertible
100 amplifier, one of the most overlooked sleepers, great tones
obtained either live or in the studio. Vintage Duncan convertible 100 Sounds
great almost stock out of the box. I also use a KTG1
Pre-Amp & KTG 2100 Stereo tube power amp. If you find one
of these pieces, buy it. You won't be sorry. All future CD's to be released
will feature these amps and pre's.
I use Monster
Cables and snakes in my Studio and live applications.
